Monday, May 29, 2017 -
â€œThe thing is,â€ Thorogood says with a laugh, â€œit all started with a birthday party.â€
For any kid growing up in the â€˜60s, the first sightings of live rock & roll on TV were mind-bendingly seismic. â€œAsk Bruce Springsteen, Tom Petty, John Mellencamp or Chrissie Hynde, and theyâ€™ll tell you the same thing,â€ George says. â€œThe Beatles on The Ed Sullivan Show and The Rolling Stones on Shindig -- we all saw that and said, â€˜Thatâ€™s it. Thatâ€™s what I want to do.â€™â€ Almost immediately, teens across America, including the suburbs of Wilmington, Delaware, started to put together bands. â€œI didnâ€™t know how to play guitar then, but the band up the street needed a singer,â€ he remembers. â€œAnd because I knew the words to a bunch of songs, I said Iâ€™d give it a try. The first show we ever played was a party for my twin sistersâ€™ birthday. I was 15 years old and got paid $20. That was the day I became a professional rock performer.â€
By his early 20s, Thorogood was a solo acoustic player in the Robert Johnson/Elmore James vein. â€œAs long as someone was listening, I knew things could fall into place,â€ he says. â€œI started doing pretty good for a solo act. I wasnâ€™t making a fortune, but I was opening for people like Hound Dog Taylor and Sonny Terry & Brownie McGhee. I was getting a lot of positive feedback from some very heavy blues people, and all of them advised to put together a band.â€ George called high-school pal and drummer Jeff Simon, and with the addition of a second guitar player â€“ a trio modeled after Hound Dog Taylorâ€™s HouseRockers â€“ the now electric three-piece piled into Jeffâ€™s Chevy van and headed north. â€œBoston was where the action was,â€ Thorogood explains. â€œWe hooked up with a decent booking agent and started playing gigs throughout New England and the Delaware Valley. I knew that if we just kept playing, our sound would come out naturally. And it did. Audiences loved us. The acts we were opening for, like Muddy Waters and Howlinâ€™ Wolf, loved us. We were playing great, but we couldnâ€™t earn more than $200 a night.â€ Through it all, the big brass ring remained a record deal. â€œWe made demo tapes and sent them around. Every major label passed. Then in 1976, a guy saw us playing in a bar in Boston who knew someone at a folk label called Rounder Records. Oddly enough, they were in Cambridge. Iâ€™d never heard of them, and they were my last shot.â€
â€œWeâ€™d released a few blues records, mainly field recordings, but George was as electrifying on stage back then as he is now,â€ says Rounder Music Group Vice President of A&R Scott Billington. â€œIt was the same time that punk rock was becoming popular, and it was the right time for someone to come along with a true back-to-basics approach. George was so passionate about the music he played and the musicians he respected so much, whether it was John Lee Hooker, Jimmy Reed or Hank Williams. Like the British Invasion before, he brought these songs to new audiences and made them come alive in a whole new way.â€
George Thorogood And The Destroyersâ€™ self-titled and now-classic debut on Rounder would soon be certified Gold. Over the course of 16 studio albums â€“ including six Gold and two Platinum discs on Rounder, EMI and Capitol â€“ the band would amass an unmatched catalog of hits that includes â€œWho Do You Loveâ€, â€œI Drink Aloneâ€, â€œOne Bourbon, One Scotch, One Beerâ€, â€œMove It On Overâ€, â€œGet A Haircutâ€ and the ultimate badass anthem, â€œBad To The Bone.â€ But it was their powerhouse live performances that made GT&D legendary: from unforgettable appearances on SNL and Live Aid, to the opening slot on the Rolling Stonesâ€™ historic â€™81 tour, to their own record-breaking 50/50 tour, or any of their current 100+ shows per year, George and his longtime band â€“ Jeff Simon (drums, percussion), Bill Blough (bass guitar), Jim Suhler (rhythm guitar) and Buddy Leach (saxophone) â€“ remain among the most relentless and relevant classic rock acts on tour today. â€œIn 1975, there was no such thing as classic rock radio, MTV or House of Blues, and casinos werenâ€™t hiring rock acts,â€ George explains. â€œThere have been so many great avenues of expression created since then that have made a huge difference in the way all of us experience live music. Weâ€™re fortunate to have the kind of material that could utilize all of these formats without having to change our sound or attitude.â€
From coast to coast, the critics agree: â€œIâ€™m happy to say, after all these years, that George is still â€˜Bad To The Boneâ€™ and heâ€™s never let go of the true spirit of rock â€™n roll!" says the L.A. Daily News; â€œThorogood is a guitar-blazing revivalist whose enthusiasm and showmanship make the music fresh,â€ says the Baltimore Sun; â€œHeâ€™s got charisma and personality to burn, a fact that becomes evident the moment he walks on stage,â€ says the Milwaukee Journal Sentinel.
Even as Thorogood prepares for the release of his first solo album (to be released on Rounder), the new tour promises to raise the bar, rock the house and tear off the roof like never before. â€œWe play for a different audience every night and that keeps it fresh,â€ he says. â€œThere are people whoâ€™ve never seen us before, and we have to impress them. There are fans that keep coming back, and we want to surprise them.â€ With more than 40 years, 15 million albums sold and 8,000 live shows after it all began, the title â€˜professional rock performerâ€™ still means something to the man and his music. â€œThis is my job,â€ Thorogood says with pride. â€œIâ€™ve always loved it, and I love it now more than ever.â€
From a birthday party in Wilmington to concert stages around the world, itâ€™s been one of the most credible and uncompromising rides in American music. Today, one badder-than-ever guitar-slinger and his band are back to play like they still have something to prove. For George Thorogood And The Destroyers â€“ as well as for millions of fans old & new â€“ the Rock Party starts now.